Miró's oft-quoted interest from the assassination of painting is derived from a dislike of bourgeois artwork, which he thought was used as a means to promote propaganda and cultural identity between the wealthy. Specifically, Miró responded to Cubism in this manner, which by the time of his quote experienced become https://www.triptales.me/discover-the-artistic-and-historical-marvels-of-barcelonas-museums/